With the A7S II, Sony takes a different road, fielding a camera whose raison d’être is sensitivity. The digital camera market has come a very long way in the last decade, but the mighty megapixel has reigned supreme for too much of that time.
Best pro video camera 2015 pro#
Time to dive into the Best Enthusiast and Pro Cameras of 2015… Camera of the Year, Best Low Light Camera: Sony A7S II The Sony A7S II, though maintaining its rather low-res full-frame sensor, got a big makeover with a better design, better autofocus, in-camera 4K and 5-axis image stabilization, just to name a few. The Nikon D7200 answered a big complaint that we had with the D7100’s limited buffer depth. We also saw a number of performance enhancements and improvements. We also saw the Panasonic GX8 come out with the highest resolution Four Thirds sensor yet, and Sony’s popular RX10 all-in-one got the Mark II treatment as well, adding in higher-res 4K video capabilities, for instance. Both Olympus and Pentax, with the E-M5 II and K-3 II, respectively, debuted with innovative and impressive in-camera high-resolution shooting modes. We saw the introduction of the Canon 5DS and 5DS R cameras sporting massive 50-megapixel full-frame sensors. One of the major characteristics of this segment in 2015 was a resurgence, in a way, of the “megapixel race,” or at least an emphasis on higher resolution capabilities for stills and/or video. Rather, each offers significant and welcomed feature improvements, performance boosts, and all around new features and technologies that culminate with thoroughly impressive, high-performance cameras for serious photographers. Despite the “II” moniker on most our favorites in this category, there’s more to these cameras than a simple refresh.
Best pro video camera 2015 full#
Its full frame 42-megapixel sensor is capable of delivering some of the best images of any portable camera, and features like 4K video and 5-axis image stabilization make it a formidable alternative to high-end DSLRs.For the enthusiast and professional camera market, it was, in a number of cases, the year of the “Mark II” - many of the new models in this segment came as upgrades to previous models and built upon or improved a previous camera. If money is no object, the Sony A7R II is a hard camera to ignore. If video is more your thing, you might also want to consider the tweaked GH4R. Meanwhile, the Panasonic GH4 is a great camera whether you want to shoot stills or 4K video, so if you have split loyalties between photography and video, this could be the one for you. At the more affordable end of the scale the Olympus E-M5 II boasts features normally associated with higher-end devices and is extremely portable. Of our selection we are particularly smitten with three. The selection we've looked at here has demonstrated they're now more than capable of delivering for both enthusiasts and professionals. Mirrorless cameras keep getting better, and are almost certainly the future of interchangeable lens photography. The more specialist high-res A7R II jumps to $3,200, while the Leica SL comes in at a typically-Leica price of $7,450. Things start to get even more serious when you make that jump to the full frame cameras, with the Sony A7 II coming in at $1,700. With body-only prices between US$700 and $1,300, the crop sensor mirrorless cameras in our line-up are not cheap, but all offer an impressive array of specifications and features for their price-point. Price comparison Sony A7 II, Sony A7R II and Leica SL Our reason for not including the impressive Samsung NX1 is the dubious future of the system (Samsung has stopped selling cameras in a number of countries), while the low-light and video-focused Sony A7S II is arguably a more specialist tool than its other A7 brothers, and photographers eyeing up a Leica M rangefinder are probably not considering other mirrorless systems. You might have spotted a couple of notable omissions to this line up, such as the Samsung NX1, Sony A7S II and Leica M. As such we've had to pick out favorites, this doesn't mean any excluded cameras might not be the right option for you. There are plenty of mirrorless cameras out there vying for a place in the kit bags of enthusiasts ad professional photographers. Here Gizmag compares the key specs and features of some on the best mirrorless cameras on the market in 2015. High-end mirrorless shooters can now hold their own with top-notch image quality, features and build quality, often leaving their DSLR brethren looking bulky and out of date. If you're looking for the latest in camera technology, mirrorless cameras are increasingly where it's at.